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Disclaimer:
The reviewers' opinions are their own and do not necessarily reflect the views of TheatreLouisville.org. |
Peer Reviews Feast
of Fools
The "Feast of Fools" was the name given to medieval festivals in which a degree of power is conferred on those in a subordinate social position, in order to mock and ridicule those who normally have the power, particularly the clergy. Traditionally the festivals occurred in December on or about the winter solstice. Walden Theatre's updating of this concept likens the feast to an evening of satirical sketch comedy. Director Carrie Nath and her young cast crafted this piece of entertainment together, developing the theme of exploring the seven deadly sins through a mash-up of styles from Commedia del' arte and modern improvisational comedy. Working without a formal script, the masked actors engage the audience in a series of scenes played out mostly in pantomime characterized by broad physical comedy, acrobatics, and outlandish costumes. Various contemporary motifs find their way onstage, including one sequence which pays homage to the Scooby Doo cartoons, and there are even a few commentaries on current affairs. I loved the eager-to-please energy that was on display, even if the results were uneven. A few moments played out like "kids putting on a show," and were slightly tedious, particularly in the second act, while the Lust and Envy portions never rose above the ordinary. More successful were scenes illustrating Sloth, with a classroom of recalcitrant students meant to mirror the four human characters from Scooby Doo, and Pride, which presented a most bizarre talent competition between three odd couples. It was here that Mitchell Martin and Nathan Kaplin stole the show, making the most of some outrageous costumes that looked like rejects from a touring production of Cats. Other standouts were Aaron Morris, whose gangly, jack-in-the-box movements prove a flair for physical comedy, Rina Perlman, displaying tremendous, sullen charm and Bailey Romans, lighting up the stage between her many flips and handsprings. But the entire cast displayed a sound understanding of the overriding style, essaying the exaggerated gestures and movement of Commedia del' arte with confidence. The naïve nature of the piece also provided a good opportunity for some of the younger company members to shine, including Riley Bean Mills and Brooke Morrison. Feast of Fools is an easygoing and festive entertainment that delivers a winning mix of smart satire and whimsy.
Feast of Fools Posted Dec. 5, 2008
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